Our ‘Exposed!’ Photography Newsletter comes out next week and we are writing on exposure modes. Looking for other opinions I asked Christine Denis – maternity, newborn photographer and leader of our Photographing Your Children Workshop – what exposure mode she uses.

She was pretty direct (see below):

Photographing Your Children Workshop

“I shoot manual because I want complete control over what I capture with my camera.  I make the decisions - not the camera - on what part of the image will be exposed correctly and what type of motion will be captured.  The results are properly exposed images, with nice skin tones, and sharpness where I want it to be.

Shooting in manual also gives you the freedom to be as creative as your imagination will take you.  The photo above is an example of what I mean, my daughter is back lit, and off centered. I wanted a nice blurry background, so I set my aperture to 2.8, then took an exposure reading off her face and set the speed accordingly.  I didn’t mind that the rim of her hair was backlit, and the backgroud a little brighter – it was the effect I wanted. It would have been impossible to take this shot in Auto or Program mode.”

Yep, those are my sentiments! But this can be a hot topic. Look for the article next week.

Last week we visited the World Press Photo Exhibit at the War Museum in Ottawa. The show is now closed but if you are interested in photojournalism check these 3 links for upcoming photojournalism events or sites:

1. David Trattles Photojournalism and Social Documentary Workshop

September 23-26, 2010

This semi annual Ottawa based photojournalism and social documentary photo workshop has sold out every time it comes to Ottawa.

David produces award winning work for clients around the world and always has his students smiling, laughing and expanding their photo and story telling skills.

At time of posting only two spots remain. This will change without notice!

One past student said:

“Harry – thank you for introducing me to David.  This course has changed the way I take photographs.  More importantly it has changed the way I see myself and the world around me.  It’s not about WHAT we see in the world through the rectangular viewfinder but HOW we see the world.  My journey through photojournalism will begin with a smile and a hand shake, not the sound of a shutter. This is me.  This is what I want to do.””

Contact us to register for David Trattles Photojournalism and Social Documentary Workshop.

David Trattles with Jean Chretien

2. Hillside Summit

September, 2010

A fundraiser that supports photography in Canada. Blair Gable and Sue Bird sent me notice of this one. Thanks!

Hillside Summit is coming this fall, only 100 tickets available and all proceeds are going back in to the seminar, speakers and Tom’s Hanson’s photojournalism foundation.

The summit is being held at the National Press Theatre and the speakers are Jim Young of Reuters, Barb Davidson of LA times and Steve Simon Freelance in New york, they are all ex pats in the US working. Register through HillsideSummit.com

3. Editorial Photographers of the UK (EPUK)

I subscribe EPUK’s weekly photojournalism based email update – it keeps me linked to what is going on elsewhere in the world of working (photojournalism) photography.

Who are they?:

“EPUK is an email group for professional editorial photographers who want to talk business. We don’t do techie stuff or in-crowd gossip. We don’t talk cameras or computers. What we talk about are the nuts and bolts of being in business – like copyright, licensing, fees and insurance.”

This week’s post included:

1. “Facts v The Power to Move

Are photojournalists immunising the viewer to images of human
suffering by showing the facts of disaster too clearly?”

2. ” “The photographer has to become the brand”
Photo agencies Magnum and VII are devising new business strategies.”

3. “Current Showcase
Penal Colony Number One, Uzbekistan – Jeremy Nicholl, 2004″

Sign up at Epuk.org

Ok, this has been on my list of blog posts for a while – here goes.

I do some work documenting artwork and also run a presentation called Photographing Artwork for Promotion – helping people figure out how to get better photos of their art when there’s no budget to hire me for the photos.

Both shooting and teaching the subject are fun and, quite some time ago I posted photo of a piece I documented of Fiore de Henriquez – she was an Italian sculptor living predominantly in London, England – most renowned for her bust work of prominent people such as the Queen Mother, JFK, Laurence Olivier.

Fiore de Henriquez

I was also lucky enough to get to know Fiore a little – she was very good friends with my Dad’s aunt. Fiore passed away in 2004

I posted one of Fiore’s pieces I documented on the blog a while back. And sometime later I got an email from Texas  filmmaker – Richard Whymark – who was creating a documentary on Fiore’s incredible life.

He found me through the Fiore post and ended up flying north to interview my father and I about our experiences with Fiore.

It was quite fun to connect in Ottawa with a Texas based filmmaker about an Italian sculptor  – all because of a little blog post and google.

Learn more about Fiore and see some clips from the film project.

Thanks Google!

Yesterday we spent time helping Paul, a federal employee, learn more about practical photography in a custom photo course designed for him. In his day to day job he is often called upon to do portraits of staff for the web, intranet, staff newsletters, etc. He also covers some events. When the photos are needed NOW or cannot justify hiring someone (like me) to shoot the work Paul gets called.

It can be stressful being asked to photograph a Minister when they visit a department! Paul has called before to gain some experience behind the camera. Our second session, yesterday, concentrated on candid workplace portraits.

The nice thing about a photo course like this is the dedicated opportunity to experiment with the camera in a real work scenario. The pressure to perform is gone and the fear of mistakes is eliminated helping create a stronger base of experience from which to draw when it really counts!

Paul did very well and we saw some great improvements in his portraits!

Some very quick, available light portraits of Paul in his work environment yesterday:

Photo for Communications Department

Photo for Communications Departments