#247 Stock Photography – what’s going on?

The good news is the demand for stock imagery continues to be strong. The other good news is, as a photographer, stock can be one of the most creatively rewarding aspects of the job.

There is news that is less rosy. While demand may be stable – lets face it photo imagery will always be in demand – there is far too big a supply of usable imagery in the marketplace. With too much supply comes low prices. With far too much supply comes crushingly low prices.

In the next few blog postings we will be posting some background stock industry information, current trends and future opportunities for the creators of stock imagery.

Some stock photo history:

The idea of licensing imagery started many, many, many years ago – some say as early as the 1920’s. As with many good ideas that become prominent mainstream commercial ventures there is often a large lead time needed to develop the idea.

Stock started growing to prominence as two sides – supply and demand saw a need for the idea of stock:

  • End users recognized the value of the idea of stock – needing a vibrant, sunny,  photo of a biplane pilot shot flying his plane is very costly to assign to a photographer. The photog has to wait for the right weather and get in the air with a skilled model. That will cost the client lots of dough.
  • Photographers initially recognized they had some out takes from assignments. The work sat earning nothing. As the stock industry developed photographers recognized good photo skills combined with contacts to people with, say a biplane and pilot’s license, could turn into viable stock photo sales.

From the photographer’s perspective there was value in hpothesizing what would sell and what was accessible to capture. From the market’s perspective there was value in looking at pre shot imagery for their photo needs. The missing link were agencies who would connect photographers and clients.

Stock Photography

Agencies like TonyStone started linking supply and demand. By the 1980’s stock was a good place to be. What a life:

  • shoot what you enjoy (as long as there is a market)
  •  submit regularly to a good agency
  • watch sales grow!

The Stock Industry – Rights Managed

Imagery was licensed on a Rights Managed basis – photos were tracked and usage histories were kept. Prices were negotiated on a per usage basis – the greater the value of the use the greater the price.

Early stock photographers watched significant annual sales as they amassed large collections of imagery available for licensing. Some assignment photographers felt this stock photo model was scandalous and unethical – a sellout!

As with any market where people are making good sales at an enjoyable task more people entered the supply chain. By the mid 1990’s things started to change. There was more supply than demand.

Royalty Free

A new model of stock was launched – Royalty Free. Agencies started licensing imagery for a flat fee regardless of usage – no history was recorded which could cause embarrassing and expensive scrapped ad campaigns. The result of greater supply was lower pricing. Agencies undercut each other to get a greater share of the market.

Again… some photographers felt this stock photo model was scandalous and unethical – a sellout!

Takeovers!

Photographers kept pumping out more imagery trying to sustain sales levels. Agencies tried to outdo each other. Getty (of oil fame) and Corbis (of Bill Gates fame) started gobbling up smaller agencies – like Tony Stone – trying to capture the market.  Throw in the new phenomenon of the World Wide Web and you have an easier way to show off unlimited amounts of imagery on the web – the supply of imagery exploded!

The late 1990’s were a time of tumultuous upheaval for the market as the world of stock re-invented itself.

Microstock

Recently, another new model entered the industry – microstock – based on ‘crowdsourcing‘ ideas. A small Canadian company, istockphoto, started the trend by sourcing imagery from accomplished non professionals – often hobby photographers – and selling it for very little money – $2-$29 per image! These rates make it very hard to earn a living especially when most istock contributors earn 20% commission – that’s 40 cents to $5.80 for each sale they make on your behalf.

Wow… many photographers feel this stock photo model is scandalous and unethical – a sellout!

And that is where we stand today. Too many photos. Steady demand. Three stock models still exist:

  • Rights Managed
  • Royalty Free
  • Microstock

Who has the power? Not the photographers! There is money to be made but it is very, very tough for new photographers to establish themselves as money making traditional stock shooters of the glory days of stock.

Stay tuned for current trends in stock photography… Coming soon!

#246 Backlog

Yep, I have a small backlog of Post Processing. I have:

  • a stock submission that should have gone a month ago
  • work for a cabinet maker from last week
  • puppy pictures to submit

If all goes well everything will be delivered by the end of this week.

Coming soon – notes and advice on the stock photo industry.

Harry

#245 Creative Fundamentals Photo Workshop

This week we start the first spring session of Creative Fundamentals. The course is our most popular. Why? It brings the overwhelming elements of technical photography and digital cameras down to simple ideas.

Creative Fundamentals Photo Course

Course agenda

We demystify f-stops, white balance and exposure…

The course starts with the technical elements of photography and progresses towards the creative control available through technical understanding. We have the chance to photograph some whitewater acrobatics at the end of the practical session:

Creative Fundamentals Photo Course

Who takes Creative Fundamentals?

The course is appropriate for people learning or those wanting to improve existing skills. While most people shoot digitally on the course we welcome film shooters – both media are based on the same principles. Different people will walk away with different successes!

Some comments:

…so you can be very proud of your ability to teach. Thank God, there is a Harry.

I learned more in the five hours with you than in a five week course…

The course is popular enough that we run 4-6 sessions a year. Still interested in a spring session? Just let us know

Photo Course

#244 More Student Success!

I first met Al Garner on our Creative Fundamentals spring photo workshop two years ago. He was new to the world of f-stops and creative compositions. Over the last two years Al has enrolled in many of our regular and custom courses as well as courses by Mike Guilbault in Barrie, Ontario.

Al GarnerAlGarner

Al’s Photo Path

Al has progressed nicely! Initially he tackled technical and creative challenges that would block his photo success and fun. With persistence, encouragement and regular local photo safaris Al’s photography has flourished:

  • His photos have come a long way
  • His photo confidence has grown
  • He smiles way more than he did at the beginning!

His photo journey continues as he keeps looking for new challenges and the possibility of taking on some photo work.

See more of his photos below:

Al Garner

Al Garner

Al Garner

Al

Nice work Al!

#243 Exposed! Shooting Through the Recession

Our Exposed! photo newsletter just went out to subscribers:

Shooting Through the Recession
A student confessed “My camera and computer equipment are dated and I’m reluctant to update anything before my income increases.” Photography can be expensive… but it doesn’t have to be.

Motion Photography

The photo above was shot on a shoestring budget with motion effects done in the camera.

In this edition of Exposed! we share ideas to shoot out of the recession for new photographers, veteran hobbyists and those aiming to earn a living…

Read the whole article.

Harry

#241 Karsh events

Yousuf Karsh and his brother Malak were fine examples of driven businessmen immigrating from a life that was both tragic and without the opportunities available in North America.

Karsh History

In about 1922 their family escaped from the Armenian Genocide. A couple of years later Yousuf Karsh was sent to Canada and lived with his Uncle Nakash in Sherbrooke, Quebec. Uncle Nakash sent him to apprentice with John Garo of Boston, prominent portrait photographer of the era.

Malak followed his brother in 1937 and learned the photography trade.

Assisting Malak Karsh – 1997

I worked with Malak for two weeks in 1997 – assisting him on his trip around the Yukon. He was 82 years old and still working full time. I asked “Are you ever going to retire?” He replied “Retirement is for doing what you really love.” He retired at a really early age, then!

My Biggest Lesson

What struck me most about their photo careers was not their creative work but their burning desire to succeed in their field. And not only normal success. They wanted international prominence and succeeded.

Drive

Anything is possible. They knew that. They overcame an attempted extermination and life obstacles with a drive rarely seen otherwise. How did they reach their fame and prominence in the photo world? With an attitude of success and a drive to find a way around the obstacles in their way.

Upcoming Karsh Events

There are two events coming up that pays tribute to their work:

#240 Dog photos at Aylmer SPCA

Ok, I have a soft spot for dogs. My dear old Tigger was a very good friend:

Tigger

We now enjoy Biscuit’s fun antics:

Biscuit

So when the Aylmer SPCA asked if I would do some photos to help their open house I said YES! We did photos at Christmas for dogs and their humans:

Dog photos with Santa

… and will be offering the same service again:

  • Saturday April 4; noon until 2pm
  • Aylmer SPCA; 659 Auguste Mondeaux, Gatineau, Qc.

Or call them for details. Santa will not be able to make it this time, sorry!

#239 Timberframe construction site

I recently shot some construction work Bala Structures was doing on a very old timberframe home. What was needed were photos documenting the rebuilding of a few exterior walls from the inside.

When the interior wall board was removed they discovered four inches of insulation in many places. Ahem, to put that in the ‘half empty’ context there were many places without ANY insulation – no wonder it was hard to heat!

The house will never be as efficient as a Passivhaus but will likely be better than the ‘low’ Canadian standards.

The contractors rebuilt the walls in question with at least ten inches of fibreglass batts and styrofoam insulation. Below are a few photos documenting the rebuild process starting with what they found behind the drywall – notice the gaps in insulation and the old window that was just paved over:

Timberframe photo

Timberframe photo

Timberframe photo

Timberframe photo

Timberframe photo

Timberframe photo

Timberframe photo

Timberframe photo