#318 Polo

Last weekend we traveled to the Augusta Polo Club to capture some of the thundering fun in preparation for our Sport Photography Workshop covering the Peanut Polo Cup in late August.

Polo is often misunderstood. Many people have the idea that Polo is played only by the upper echelons of society – Prince Charles, etc. Not the case!

Polo photography

Accessible 

Augusta Polo Club’s Kathy and George told me Polo is one of the most accessible equine sports in North America – polo ponies can be inexpensive to purchase and equipment is limited. Best of all polo can be played on a simple, open field. If you can ride you can play Polo!

The Game

The game is played on a large field – 300 yards x 100 yards. While that may seem massive, experienced riders get around at lightning speed – remember, horses can gallop 50km/hr or faster.

Polo photography

An experienced game is fast. Play is broken down to 7 minute ‘chukkers’ with riders mounting a fresh horse every chukker to keep the play pulsing.

Horse Safety

And what about the horses? They are trained to perform at polo – making sure they are accustomed to close competition. The sport is gear towards the safety of the magnificent animals.

The Photo Workshop

Our sport event will be challenging – learn about event photography:

  • equipment choices – Vistek Camera store will be offering some free rentals
  • evaluating shooting locations
  • staying safe while shooting a sports event
  • performing under pressure
  • producing the best photos possible under game conditions

As part of the workshop you will receive media passes giving participants access to restricted areas.

Support Animal Rescue Programs

At the Peanut Polo Cup you will also have the chance to photograph many classic canines. The event is used to support canine and equestrian rescue programs.

Polo photography

#317 Big Trouble

Annie Leibovitz is in some trouble.

She is a celebrated and prolific photographer shooting some memorable photos of the Rolling Stones, John Lennon, Demi Moore, Whoopi Goldberg, Queen Elizabeth II, Michael Jackso, Bill Gates… The list goes on and on.

Annie shot extensively for Rolling Stone Magazine and Vanity Fair among others. She has a storied photo career that developed from good skills and good timing.

Recently, she has been in the news as she seems to be in danger of losing her life’s work over a loan she took last year.

Read the whole story at the NY Times. Hang in there Annie!

#316 World Press Photo 09

World Press Photo 09

It’s an amazing opprotunity to see some fine work by the best photojournalists in the world. We saw the traveling exhibit in Iceland last summer.

The opening was Wednesday night with speeches and a collection of people in the industry. The show runs from August 6th to 26th at the Canadian War Museum.

Earlier I  had advertised this month’s gallery visit to see the Karsh/Steichen exhibition at the National Gallery. We have changed the Gallery visit so that we can take advantage of this temporary traveling exhibition.

Details of the Gallery Visit

World Press Photo 09

#315 Phew

It’s been a busy week and I’ve been neglecting my blog-bligations. Last night I was at the World Press Photo ’09 Vernissage. I am looking at changing August’s gallery visit from Karsh/Steichen to World Press Photo.

Details coming soon…

Gotta go,

Harry

#314 Fun photo feature

I got an email from Brian Goldschmied last week. Two things he shared:

1. World Press Photo 09 – Canadian War Museum – August 6th-26th
This is a fabulous exhibition highlighting some of the best Press Photography of the year. We saw last year’s traveling exhibition in Iceland. This is a must see!

2. Silly fun

Have a chuckle over this collection of photos of photographers and some silliness at DarkRoastedBlend.com.

Thanks Brian!

#313 Fast

They’re fast.

I have continued a stock/commercial art project working with Dave McMahon and Lise Meloche of xcZone.tv.

They are residents of Chelsea, Qc and have been on the world cup and/or Olympic circuit for a good chunk of their life! Splitting their available time between training hard and filming for xcZone we were lucky to get them to run for our cameras!

Very fun to work with good people:

Fave McMahon Lise Meloche

Dave & Lise discussing the route

Dave McMahon Lise Meloche

Dave McMahon Lise Meloche

XCZone.com

Dave & Lise

#311 Ebay lens purchase

Remember my Graflex post?

Yesterday we received an ebay purchase for the Graflex in the mail – a 75mm lens for the large format press camera. I was very excited.

Ebay?

Yep, there are very few lenses available for sale in Ottawa for 4×5 cameras. The Camera Trading Company has another Graflex camera for sale but, alas, not the wide angle lens I lusted after.

I started searching online – finding a good deal on ebay. I have had good experiences there before.

Buyer beware

It was billed as “Glass is clean and clear. Shutter, focus, and f-stop are smooth, solid, and consistent. Body is in very good condition.” The seller had a 99% positive rating and over 22,000 sales – a reasonable track record.

The lens arrived. I found the shutter speed ring was seized. Seized?! Deflated, I started to dread contacting the seller about the bad lens they had sold me.

Canadian Camera to the rescue

Before contacting the selling store I thought it best to consult Canadian Camera – Ottawa’s prominent camera repair shop. I went in and presented my conundrum – had the lens seized or had I missed something?

Kishor and Raj are super. With years of experience and problem solving they quickly found the trouble – the shutter had been modified for another lens. Coupled with the glass of my new lens the shutter speed ring would not move. Removing the spacing ring (second from left, below) solved the problem.

Nikon 75mm Large Format lens

Phew!

Many thanks to Canadian Camera. The Ohio based ebay seller also forgot to send the lens board we bought. I need to contact them – Any suggestions as to what to say?

#310 Photojournalism and Social Documentary Workshop with David Trattles and Canadian Geographic

That’s a long title and feels a little stodgy. It doesn’t do justice to Dave’s upcoming workshop.

More apt might be:

Dave’s photo workshop on life, laughter, and how to create an intimate story with people at  street level.

or…

How to capture the social fabric of a people or community with Dave

or…

Burst with smiles and laughter as David Trattles guides you through the essence of street level photography.

David Trattles

Dave’s no normal photographer, thank goodness. Where most photographers might spend an hour taking a photo, Dave spends a month getting to know his subject.

He has spent 20 years around the world on a bike getting to know people and telling their stories through a camera. He’s passionate, whacky, and loves people. His website proudly offers:

All photography that involves people. Documentary, Travel, Portrait and Weddings.

Taking photographs of ordinary people who do extraordinary things by looking into themselves and their friends, family.

Extraordinary Things

Dave does things in extraordinary ways including how he leads the workshop. A past HarryNowell.com student asked “Will there be any… practical application, or is it all lecture?

I don’t think Dave would ever lecture – and I mean that in a positive way. His sessions are lively, provocative and will teach you more than you would ever learn at a semester of photo classes.

Dave says “the workshop will be a series of assignments followed by review and discussion with the intention of building narrative.

David Trattles

Dave does things differently – how many people waltz up to the Prime Minister and get the reaction above? – even security is smiling. He does not teach f-stops, exposures and photoshop. He helps you see how to see and how to tell a story.

The Workshop

The workshop is based at Canadian Geographic Headquarters (and not in the field) because what Dave teaches is best taught in many, small doses with your day’s fresh catch on the screen.

When I contacted Kathy and Gilles at Canadian Geographic HQ they needed no convincing to be involved with this David Trattles workshop. They have donated time and space and advertising, asking for nothing in return. They love how he works with people.

Canadian Geographic

Canadian Geographic magazine

His photos glow. His students smile.

#309 Graflex groove

I have eluded to a new project I am working on with a Graflex camera. So today – some more info.

The Graflex camera cornered the photography market for decades. It was the ultimate camera for many uses. Vast quantities of the camera were produced because of its merits:

  • tough, fail proof mechanics
  • compactness (for its time) and portability
  • excellent results

Graflex

Graflex cornered the editorial or press photography market for many years including WWII. The last of the Graflex cameras was produced in the early 1970s.

Look at any newspaper photo in the 30’s 40’s and 50’s and chances are it was shot with a Graflex. The work was amazing.

Many people still use the Graflex for artistic projects and the technical merits are still there:

  • simple technology
  • enormous file sizes
  • matched with modern view camera lenses the Graflex knocks the socks off modern cameras

Enormous file sizes?

  • Traditional 35mm film and new ‘full frame’ digital cameras capture subjects with a sensor or film size of 864 square millimetres.
  • Most digital SLR cameras use a sensor that is 384 mm2.
  • A 4×5 Graflex uses 12500 mm2 film.

For web use or small prints the extra size is wasted. Large prints is where the Graflex will shine. Many accomplished photographers use larger versions – Karsh and Burtinsky both use(d) an 8×10 film camera.

So, why don’t people use these cameras more? There are limitations.

  • The camera is slow to use. You load 4″x5″ sheets of film individually. That’s time consuming.
  • Each piece of film costs ~$6 to purchase and process.

One of the beauties of the Graflex is it slows you down. Being a high cost per shot forces you to get back to basics and think through the shot before exposing the film.

On a recent shoot I exposed 10 sheets of film in an hour – that’s fast! I then shot 41 frames of the same subject in 10 minutes on a digital camera. They’re different technologies with different uses.