{"id":5139,"date":"2016-08-09T21:57:16","date_gmt":"2016-08-10T02:57:16","guid":{"rendered":"http:\/\/www.harrynowell.com\/blog\/?p=5139"},"modified":"2022-05-29T08:14:34","modified_gmt":"2022-05-29T13:14:34","slug":"1125-interconnectedwatersheds","status":"publish","type":"post","link":"http:\/\/www.harrynowell.com\/blog\/2016\/08\/09\/1125-interconnectedwatersheds\/","title":{"rendered":"#1125 InterconnectedWatershed"},"content":{"rendered":"
Tweet<\/a><\/div>\n

InterconnectedWatershed\u00a0<\/strong>is the melding of two water-based art projects that are naturally linked. I have teamed up with Emily Rose Michaud<\/a> to present our bodies of work on the Gatineau River and Chelsea Creek. The show opens August 19th at Rutherfords’<\/a>\u00a0in Wakefield, Quebec as part of Wakefest<\/a>.<\/p>\n

Emily, a interdisciplinary artist who drew international attention for her Roerich Garden Project <\/a>is exhibiting her layered cyanotype drawings based on flora and topographical maps from around the Gatineau River watershed.<\/p>\n

I’m excited to be collaborating on a project connecting our watershed works – Emily is interested in the Gatineau River and I have been working on a project capturing the Chelsea Creek watershed<\/a> (which flows into the Gatineau River) for 15 years:<\/p>\n

\"film

Some previous Watershed work.<\/p><\/div>\n

I’ll be exhibiting some new, one-of-a-kind works based on a direct process that allows me to capture the artwork directly onto paper within one of two traditional, low-technology cameras – one I built from plywood.<\/p>\n

\"Home-made<\/a>

Home-made large format camera.<\/p><\/div>\n

What intrigues me about this process is the challenge to get a close to perfect PHOTO.\u00a0There is no negative or processing once the lens of the box camera is closed. In traditional film or digitally captured processes, the artwork can be processed in the darkroom or computer to alter the end product. In the process I am using there is no manipulation<\/em>\u00a0possible once the lens is closed. The only time for adjusting the final outcome of the artwork occurs when the lens is open and exposing the paper – usually four seconds to 25 minutes.<\/p>\n

\"This<\/a>

This artwork is created by placing one (and only) sheet of paper directly in the camera. Only one photograph is created – it’s one-of-a-kind.<\/p><\/div>\n

The process pushes my limits and wrenches my gut. If I am using a 20 minute exposure the light is fading to dark and there is no chance to try again… In this instance I have one chance to get it “exhibition perfect.”<\/p>\n

I am now working with a custom, fine furniture maker to create hand-made frames. Just as each art piece is unique, each of my latest frames is hand crafted. They are works of art themselves.<\/p>\n

I’ve been traveling some sections of my local watershed regularly and it’s fascinating to see the creek change so dramatically over the years.<\/p>\n

The creek crossing, below, changes every year – a slightly new route, someone “fixes” the wooden bridge, erosion (or humans) take down trees.<\/p>\n

\"Captured<\/a>

Captured on paper directly in a large format camera.<\/p><\/div>\n

I’ve explored from Fortune Lake almost to highway 105 – 20km. I have 5km to go to get to the Gatineau River.<\/p>\n

The diversity along the watershed also fascinates me. Come to the show and see for yourself:<\/p>\n

Bistro Rutherford<\/em>
\n753A Riverside Dr, Wakefield, Quebec<\/em>
\nVernissage: Friday, August 19th (6-8pm)
\nShow runs until September 23rd, 2016.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Tweet InterconnectedWatershed\u00a0is the melding of two water-based art projects that are naturally linked. I have teamed up with Emily Rose Michaud to present our bodies of work on the Gatineau River and Chelsea Creek. The show opens August 19th at Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[115,102,279,9,1,104],"tags":[298,103,27,90,108,91,87,297],"_links":{"self":[{"href":"http:\/\/www.harrynowell.com\/blog\/wp-json\/wp\/v2\/posts\/5139"}],"collection":[{"href":"http:\/\/www.harrynowell.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.harrynowell.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.harrynowell.com\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.harrynowell.com\/blog\/wp-json\/wp\/v2\/comments?post=5139"}],"version-history":[{"count":13,"href":"http:\/\/www.harrynowell.com\/blog\/wp-json\/wp\/v2\/posts\/5139\/revisions"}],"predecessor-version":[{"id":5800,"href":"http:\/\/www.harrynowell.com\/blog\/wp-json\/wp\/v2\/posts\/5139\/revisions\/5800"}],"wp:attachment":[{"href":"http:\/\/www.harrynowell.com\/blog\/wp-json\/wp\/v2\/media?parent=5139"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.harrynowell.com\/blog\/wp-json\/wp\/v2\/categories?post=5139"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.harrynowell.com\/blog\/wp-json\/wp\/v2\/tags?post=5139"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}